Now showing · For Film & TV · Premiere week is live
Premiere week is won in seconds, not trailers.
One trailer drop isn't a campaign. We flood the week around your release with hundreds of native-feeling clips built from your own footage.
Tonight's numbers
Premiere week, hour by hour
Distribution timed to your release date, not a single drop the week of. Here is how the wave builds.
The network is briefed and ready. Clippers get your cleared footage, your spoiler rules, and your exact release date so nothing goes live before the embargo lifts.
The moment your embargo lifts, the first wave of clips goes live across feeds. Small, native-feeling moments cut from the trailer, not the polished full cut.
Behind-the-scenes and press-tour footage becomes content your official channels don't have room for, keeping the conversation alive past the initial drop.
Reaction cuts and needle-drop moments compound as clippers double down on what's traveling. The wave crests through opening weekend, not before it.
One trailer, a hundred cuts
Native-feeling clips cut from the studio's own footage, flooding the feed the week it matters most.
Clips a week, across the network
What we clip
Every asset you can clear becomes source material. Here is what travels.
Trailers & screeners
The beats people actually share: a line, a look, a reveal.
On-set & BTS
The off-camera moments fans hunt for.
Press & interviews
Talent moments turned into dozens of standalone posts.
Premiere & event
Red-carpet and opening-night moments distributed the same day.
Reaction & music moments
One line, one twist, pushed while the moment is hot.
Campaigns we run
One clipping engine, tuned for every kind of Film & TV release.
Theatrical releases
Premiere-week waves built around your exact release date.
Streaming originals & series
Episode-by-episode clipping that keeps a title alive between drops.
Documentary & unscripted
The single striking claim or moment carries the whole clip.
Talent & press tours
Interview and junket footage turned into dozens of standalone moments.
Studio marketing teams
One strategy call, one dashboard, across every title you're launching.
Distributors & sales campaigns
Territory-specific cuts for titles you're bringing to new markets.
What's included
The full production, handled end to end.
Scene & moment clipping
Trailers, screeners, and press footage broken down into dozens of feed-ready moments.
On-set & BTS sourcing
Behind-the-scenes and press-tour footage turned into content your audience can't get anywhere else.
Premiere-week amplification
A coordinated wave that builds through release week and peaks when the title drops.
Fan pages
Dedicated short-form accounts that keep your title in feeds well past opening weekend.
ClipUp vs paid ads vs doing it yourself
Is this actually a fit?
Great fit if
You have a real release date
Premiere-week amplification needs a date to build the wave around.
You can clear footage for use
Trailers, screeners, or BTS content, cleared and ready to cut.
You want reach beyond your own channels
Clipping is built for audiences who don't already follow the title.
Not the right fit if
You only need one polished trailer cut
A traditional trailer house or editor is the right call for a single cut.
You have no footage yet
We need real source material to work from, not a concept.
You need full creative control over every post
Creators post in their own voice within your brand-safety rules, not a shot-for-shot script.